five fathoms far: february, friday
five {⊡}
first, it occurs to me to frame it around them, where
the smoke of a thousand homes are FLUNG open...
“drifting into quinary harmony,” i give texture to his voice—
a fixture in my mind now, synthesizing astonishing possibility.
fathoms {¬}
fulgent, the thought blossoms into form, in
a riot of FALLEN petals covers the deserted stairs...
with “body as metric,” the soul then comes into view—
a falcon’s focus rendering formidable depth.
far: {©}
fierce & fair, not frivolous, it coheres within:
the only sound, the endlessly FALLING leaves...
“distance, risk, edge,” flowing into state, id, ego—
a force not to be trifled with, embraced as vital, coeval.
february, {π}
febrile, the notion felt just so, finite & infinite all at once—
practice hard, FELLOW students of Zen counseled,
as “months become chapters” and as time reveals
a Finnegans worth of wakefulness, ontology of the dharma.
friday {ˆ}
finally, i asked of them, in their fecund singularity and polyphony—
when brightness and objects are FORGOTTEN, who is it that remains?
evidently, the “integrator of the lofty and the ridiculous”
a fertile naming, a familiar dream, the fidelity of a friend.
- the first word of each stanza, while seeming like a sub-title, functions as a line itself
- look at all the F words; too much? just enough? ::chuckle::
- the lines in italics are taken from sensei Ryōkan's poem, A solitary mirror
- the maroon quoted phrases in the 3rd lines of each stanza are the Skandhics' own words about this poem (yes, meta I know)
- the underscored word in the 5th and last line of each stanza is the final singularity